Lore post #1: On the history of bijuu seals and jinchuuriki

This lore post was too long in the making. I know I’ve been talking about these lore posts for ages now, so I decided to make a bit of a push to get this one finished in time to go out just before the next progress update. The problem, I find, is primarily how the posts keep ballooning in size the moment I start writing them. It occurs to me that people are going to complain about canon rules and assumptions, when the matter of the fact is that IFF is simply different in most respects, and then I start explaining only peripherally related concepts, such as my very limited explanations of the workings of seals in this lore post.

Even though this lore post is 2.200 words long, I promise you that it is on the very small side, and has been kept virtually bare bones so that I could even finish it at all. There are many things which have not made it into this post, many points which could be expounded upon much further. However, for now, this must be it. I shall be happy to answer questions in the comments, and I hope you enjoy.


Here follows several excerpts of “Taming the Gods”, by Nara Kaede


This book will not touch on the origins of the bijuu, for their origins are unknown to us, more myth and legend than history. The tumultuous times that followed the Sage left little to examine for modern historians. Entire civilizations were lost to memory, leaving behind only scarce ruins and indecipherable writings. The events surrounding the coming into being of the greatest terrors this world has ever known are lost to us, as they were lost to our ancestors, who first had to contend with their existence.

The bijuu were natural disasters, pure and simple – their rage as indomitable and mindless as that of earthquakes and volcanoes, floods and famines. They could not be negotiated with. They could not be understood. They could not be fought, or even hurt. They struck randomly and without warning or reason before withdrawing once again to go into deep sleep. When they saw each other, they fought with an unparalleled rage until one was driven away to lick its wounds. And every time they appeared, whether they clashed with one another or struck alone, many thousands died. Often, people would pilgrimage to the places where one of the nine beasts chose to slumber, and offer up sacrifices to placate them so they would stay their anger for another year. They were like gods to our ancestors.

It is not an easy thing, to capture a god and bend it to your will. Yet that is what we have done, and that process is what I give an account of, in Taming the Gods.

[…]

The oldest seal array ever found dates to the first century AS. The oldest reference to a storage seal dates to the second century AS. It was not before the fourth century AS that the understanding of chakra seals advanced sufficiently: active chakra absorption arrays were invented, and for the first time in almost half a millennium, it became conceivable to do something about the bijuu.

In those times, it was the learned of the temples who were the masters of written seals. Nothing like the enormous, organized institutions which are so prevalent now existed then, but these sages were among the precursors of modern ninja. The Sōdaina Jigyō scrolls contain an account of the development of the first seal, describing it as a gathering of the wisest and most powerful temple sages in the world. Thousands answered the call, across religions and cultures and borders, spurred by the Kyuubi’s total destruction of the incredibly wealthy island nation and trade center of Tokushu, whose remnants came to be known as the Land of Whirlpools, and were the foundation for the modern city-state of Uzushio.

The development of the seal took years, and the structure that was erected to support the seal itself was enormous, with a warren of tunnels beneath it to contain the seal’s great chakra channels. Today, the Temple of the Eldest Flame lies in the same location, nestled in between the two easternmost peaks of the Kasai mountain range. But back then, the place had another function entirely: to trap, seal and contain the Kyuubi.

The trap took years to prepare, and required the cooperation of dozens of nations. It is a miracle indeed that it was allowed to be attempted at all, for the Kyuubi was woken on purpose and shepherded many kilometers to the location of the seal, which had been constructed dangerously close to its slumbering form. It followed its taunting attackers with the same mindless rage that it laid waste to so many nations with, and though countless people had to give their lives, the Kyuubi reached the temple and the seal was activated. Miraculously, it worked. The Kyuubi was sealed within the mountain.

That first seal would, in the end, not last for long. The incredible stresses which the Kyuubi put on it caused it to fail within a decade. But by then, half a dozen other such seal temples were already being constructed across the continent, their designs refined further with every new seal. The inevitability of the bijuu’s rage was no longer a given. For the beasts, it was already too late. Now they could be challenged. Now, they could be defeated. They have largely been in our power since.

[…]

The strength of the bijuu is unmatched in the world. Nothing can penetrate their hides, and nothing can withstand their rage. Mountains crumble and lakes evaporate before them. Even a thousand of the world’s most powerful ninja could never hope to match the sheer, raw power of a single bijuu, let alone a thousand sages six centuries ago. What, then, allowed them to trap a bijuu, despite being unable to match its power?

It is because, out of all of the creatures in the world, humans are without a doubt the most dangerous. We are, most of us, weak and fragile. We do not have fangs, nor claws, nor venom. But spears, swords, canals and cities do not grow on trees. You will not find a cow considering which alloy works best for forging a sword. Only the talking animal races truly share our intellect, but they do not share our mindset. Only humans have the intellect, the ambition and the arrogance to attempt to chain the forces of the world to our wills. No one but a human could ever conceive of attempting to tame a god, and then proceed to do it.

The design of the first bijuu seal was ingenious. The wise sages of the past knew that they could not ever hope to match their strength against a bijuu even in unison, and so they did not try. Instead, they turned its strength against itself. Its own chakra was absorbed and used to power the seal which trapped it and stored its form; the more it struggled, the more power it fed to its prison. Once the basic principle worked, one only had to construct a seal which could withstand channeling the enormous amounts of chakra which were necessary to contain something with the strength of a bijuu.

Chakra ink would not be invented for another century, and chakra-forged alloys were many centuries off; the seals of this age were built in stone and wood which was soaked in human blood. These seals did not channel chakra well compared to modern ones, and this necessitated the construction of the large temples. The Kōken’nin order was created and given the mandate to contain the bijuu. Within a mere few decades, all of the bijuu were sealed, and for centuries, the Kōken’nin built, maintained and protected the temples which contained the bijuu. As the centuries passed, the bijuu seals shrunk in size, until they could be forged in steel and contained within a single, large room at the center of the seal temples. Sometimes, accidents happened, and bijuu might break free for many years until they could be recaptured and safely contained again. Still, the world enjoyed an unprecedented time of peace from the rage of the bijuu.

It was in the city of Uzushio, in the Land of Whirlpools, once known as Tokushu, that the next step was taken. A new type of bijuu seal was devised by the seal masters of Uzushio, who were unrivalled in the world in their knowledge of the craft. This new seal supposedly allowed a bijuu to be sealed within a single person, relying upon their own internal chakra network to function and bear the strain of supporting it. When the Nibi broke free of its seal, this new seal was first used, without the knowledge of the Kōken’nin, and its host was brought to the Land of Whirlpools to be studied. It quickly developed that the great stress of supporting a bijuu seal turned the host irretrievably insane and rendered their chakra network virtually broken to them; utterly beyond use.

There were, however, benefits to the technique. For the first time, bijuu were portable, and Uzushio was quick to realize this. Uzushio had until then regularly warred with a neighboring city-state, Gotama, later to be the capital of the Land of Fire. Uzushio arranged to release the Nibi to rampage in Gotama, and the city suffered great damage before the Nibi left to seek a place for slumber. The Kōken’nin order was outraged to discover Uzushio’s scheme of harnessing the bijuu, and threw their whole-hearted support behind Gotama in the war that followed. By the end of the war, the city states surrounding Gotama had coalesced into a greater whole, the Land of Fire, in defense against the threat of bijuu attack. The Land of Whirlpools was subjugated, and made a vassal state of the rapidly growing Land of Fire.

For the Kōken’nin, it was already too late. As the nations realized what the development of the new bijuu seals meant, and the knowledge of how to create them spread, bijuu were seized from Kōken’nin temples across the world and sealed into hosts, which came to be known as jinchuuriki. The sacrifice of a single individual’s life and sanity was a small price to pay for wielding such power, after all, and the Kōken’nin’s selfless mission no longer held the same weight it once did. The order was largely dismantled, and many of its disciples and seal masters were eventually absorbed into the soon-to-be-formed ninja villages.

There was, of course, still far to go. Releasing a bijuu from a host inevitably meant the host’s death, as well as the death of anyone immediately nearby. Further, the seal was lost in the process, and a bijuu released somewhere would eventually have to be sealed again. To add to the difficulty, this was often deep in enemy territory, and offered the enemy a prime opportunity to catch a bijuu for themselves, should they be ready for the occasion. The nations which captured bijuu and used them most wisely grew greatly in this period – often entirely without the use of their bijuu, as the mere threat of their use was usually enough to cow individual city states into submission. The map grew to resemble something much more familiar to the modern reader, with five great powers possessing all nine of the bijuu.

An arms race began among the newly emerged great nations and their ninja villages, to create the most flexible and reliable bijuu seals. During the first great ninja war, a type of seal emerged which could withstand the process of unsealing and keep the host safe meanwhile, remaining inactive during the beast’s rampage, and then reactivating to assist with the beast’s resealing from inside, allowing a new dimension of flexibility in their military applications, while also letting the hosts retain their lives. During the second great ninja war, seals were used which were capable of resealing a bijuu entirely on their own, further increasing their possible uses. In the third great ninja war, refined versions of these seals were used by most sides, and it was only the Land of Fire which brought something entirely new to the table: a seal developed in Uzushio which allowed them – to a degree – to control the behavior of the beast while it was released.

Throughout the third great ninja war, the Land of Fire’s bijuu placement, usage and strategy was superb, and led to their alliance’s complete victory despite being heavily outnumbered in terms of beasts, due to the freedom, precision and speed with which they could deploy the Kyuubi. This was, of course, also helped along by the famous Fourth Hokage, Namikaze Minato, who often used his unique spacetime techniques to move Konoha’s jinchuuriki around the front at speed, or to make deep strikes without exposing Konoha’s own position unduly.

Fortunately for the other nations, there was a great public outcry during and after the third ninja war, due to the unprecedented casualties which were suffered due to the use of bijuu. Single cities had been destroyed by bijuu, but never before scores of them in quick succession, with casualties numbering in the millions. Today, the use of bijuu is scorned and greatly feared by the public. It is possible that their mere existence and demonstrated capacity to destroy is what now keeps the great nations from warring, lest another war as damaging as the last take place.

[…]

In many ways, bijuu have defined the past millenia of history. The world was once entirely subject to their actions, and their subjugation irrevocably changed everything, allowing greater and more prosperous nations to exist and flourish. The development of the human bijuu seal once again changed the world, revolutionizing the face of warfare to a degree which was only truly realized in the third great ninja war. It led to the balance of power which we know today, with the lands of Lightning and Fire largely dominant over Wind, Earth and Water due to their superior bijuu seals.

There are those idealists today who speak of abolishing the very concept of jinchuuriki and re-instituting the mission of the Kōken’nin order, and while it is no doubt philanthropically desirable, it is also a notion in vain. Power such as the bijuu’s is not easily cast aside, and those who choose not to capture and wield a bijuu are merely at a disadvantage to those who do, despite the distasteful sacrifices which are necessary. There can be no doubt; as the bijuu have dominated the past, so they will dominate the future.


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Progress Report (19/04): Chugging along, moving back to Denmark, and a lore post preview

These past two weeks I’ve been finishing off the work I’ve been doing during my stay in Canada, and preparing to move back home to Denmark after three and a half months abroad. It’s been busy, but I found the energy and time to start this blog and to write quite a lot on the story – mostly in the past week.

How are we doing?

The first draft of chapter nine is now almost finished. Two weeks ago, the “usable” word count of chapter nine stood around 2000 (I forgot to make a note, so I can’t recall the exact number). It now stands at 11.446 words. One part needs to be rewritten a bit, though a lot of it can be reused, and a few scenes have gaps in them that still need to be filled out. I estimate that the finished first draft will be about 13.000-14.000 words. I might have to split it up later for readability reasons, but since I shall be in full control of the final publishing schedule, I could just have them go up as a quick one-two punch and retain decent chapter sizes for later binge readers.

The lore post on chakra is still in progress, as I’ve channelled my writing mojo into the story instead this past week. I have determined exactly what will go into the post and how, and have already written some of it. It will be an excerpt from the introductory chapter of the academy textbook, Chakra Fundamentals.

The book is fairly heavy reading, and is intended for the first year of students who are selected for the ninja educational track of the Konoha Academy. It serves as a comprehensive introduction to and overview of the entire field of modern chakra theory and its applications. As such, it is the first book on the subject that most children who grow up to be ninja will encounter. I hope it shall prove to be interesting reading.

Many of the chakra-related lore posts will be excerpts of various chapters in this book. As a quick taste, because I see no reason not to put it here, here’s an excerpt of the book’s foreword that I wrote yesterday, which might or might not make it into the chakra lore post itself.

Chakra Fundamentals is intended as an attempt to demystify chakra as part of the standardization of modern academy teaching material. Chakra has, throughout history, most often been considered solely in the contexts of spirituality and mysticism. The first lesson you will learn in the classroom is that chakra is not magic.

While it was once regarded as an inscrutably mysterious, esoteric and dangerous topic, and is still held to be so by many among the masses, the phenomenon of chakra has seen much study throughout the centuries. Even though there are still many more questions than there are answers, we know far more today than we once did.

As the field of knowledge is vast, and much of it is restricted, it is outside the scope of this book to delve into any one subject in great depth. Instead, Chakra Fundamentals aims to offer a solid grounding in and overview of the most basic and commonly accepted fundamentals of chakra theory and the ninja arts, and touches only briefly on more advanced fields to guide and focus further independent study. In many cases, additional reading material is suggested in the margins. In all other cases, such is left to the initiative of the student.

— Umino Kohari, “Chakra Fundamentals, Fifth Edition.”

The next two weeks

This Wednesday, I will be flying back to Denmark, and I hope to post the chakra lore post before that happens. I expect a turbulent schedule at least until next Sunday, where I will finally move in back home. The week after that I should be more free and I anticipate getting a lot of writing done then. I want to spend it finishing the chapter nine first draft completely and moving on to chapter ten so that I’m at least a few thousand words in by the next progress report.

On a final note, not publishing chapters immediately turns out to be the right choice for me. I’ve had a much easier time writing, this past week. The current draft of chapter nine is not at all “ready”, but I can move on, safe in the knowledge that it’s solid enough that I can come back to it later and touch it up.

So far, I haven’t touched the old chapters either. I expect that I shall get around to that sometime in the next month, but I anticipate no progress on that front before the next update. Travelling can be tedious, so I expect I’ll have my hands full already.

Until next time!

The next progress report will be posted on May 3rd.

So what’s taking so long, anyway?

I feel like I owe everybody an update and an explanation. So that is what the first post of my In Fire Forged focused blog shall be about, to provide context for its continued existence.

Let’s start out with the obvious part: IFF is not abandoned, nor was it ever. IFF is in fact still being worked on, and the work hasn’t stopped in the time that I have not been posting updates. Granted, the writing of the story itself has been going very slowly, but the lore and overall story and arc plot and structure have seen major revisions while the story has been on hold.

I have mentioned, earlier, the 50.000 words of lore and plot that I started the story with. Most of that is now utterly irrelevant or outdated. So a lot of things have happened since last summer.

Why did I stop writing?

When I originally began my aggressive schedule of one update every two weeks, it was to keep on the pressure and ensure that I would actually write because I was in constant panic mode. This ground to a quick halt after a few months. I think that there were several reasons for this.

First of all, a series of real life events happened that quickly stripped me of the mood, will and time to write. Mostly this has been very non-dramatic, mundane stuff. My laptop broke down during the winter where I’d been planning on writing a lot. University projects can be very time consuming, and I often found myself without the energy and motivation to sit down in the evenings and write.

Second of all, the pressure to write stripped me of the pleasure of writing. This one I had not predicted and it came as a surprise to me, though it seems obvious with hindsight. Especially the part about needing to publish chapters immediately after writing them got to me. If I had to do that, the chapters had to be perfect. If I realized that I’d committed a mistake down the line, it would be too late to fix it since the prior chapters had already been published and committed to.

Third, the arc I was trying to write, beginning with chapter eight, is really complicated. As I started writing chapter nine, I realized that the plot simply didn’t work. Several characters were holding major idiot balls to make the whole thing work out as I wanted it to, and the plot had huge, gaping holes in it. I had the choice of either proceeding and committing to the impending train wreck (see point two), or calling a full stop just in time and re-examining in detail the entire plot of the arc, and volume one of IFF by extension, to make sure that everything was sensible before I proceeded.

This process turned out to be sorely needed.

Writing something really complicated turns out to be kind of difficult

Who’d have thought, right?

Trying to write characters who are not holding idiot balls is very difficult. Trying to write several of them attempting to one-up each other, and having your protagonists survive the process, is even more difficult. I try not to fall prey to tropes like Why Don’t You Just Shoot Him – if they can, and ought to, then they do. If there is something that a character couldn’t possibly miss, then they shouldn’t. And if any of this breaks the plot, well, then I need to change the plot, or make up a consistent explanation.

As quickly became apparent to me once I started writing, the fact that a character is holding an idiot ball is not always immediately obvious in a plot summary written for your own benefit. It is not until you start trying to explain the plot to somebody else, or until you are faced with actually writing a scene with the character who is holding the ball, that you start asking yourself, “Actually, why doesn’t the character just do this instead? Why is this character even in this situation in the first place?”

And then you have to make them drop the ball, and everything changes, and you start over again.

I am starting this blog now, because I think that I am getting to a point where my plans are solid enough that I can finally write this plot without outright feeling ashamed of myself, or thinking that my story is populated with idiots. It’s not perfect, but I think it’s at least good enough. Additionally, I’ve been quiet for too long, and I don’t want people to think that the story is dead when this is far from true.

So what is The Forge?

The Forge is my pretentiously named blog about In Fire Forged. It’s going to contain, amongst other things, updates on the progress of the story and any other musings that I think my readers might be interested in. Sometimes, I might be faced with an issue regarding some obscure piece of lore, and, supposing the readers are into it and no spoilers abound, a discussion might take place.

Also, did you like those intro and exit info blurbs in the story? Then you’re going to love this blog, as I will be writing longer lore posts in that style when my muse does not have the stomach for writing on the story itself. This shall a) hopefully prove to be interesting reading if you’re into world-building and b) force me to truly flesh out many different parts of the lore, since writing notes for yourself in bullet point lists is one thing, and trying to write for another’s comprehension is another thing entirely, and finally, c) provide a handy lore reference for myself and others to refer to.

So far, this is the list of topics that I intend to explore in lore posts, in the rough order in which they should appear:

  1. Chakra sciences (or, what is known about chakra generally)
  2. Hand seals and their workings
  3. Written seals and their workings
  4. The core three techniques (body flicker, substitution and transformation)
  5. History of bijuu seals and jinchuuriki
  6. How exactly Sakura’s explosive scrolls work
  7. History of the Land of Fire
  8. Fire Court politics
  9. The Royal Guard
  10. History of Konoha
  11. Konoha politics and administration
  12. Konoha’s military organization, divisions and force distribution
  13. The Chuunin Exams
  14. Ninja psychology and culture
  15. Ninja recruitment and training in modern society

If you’ve any preferences or suggestions regarding this, please leave a comment with your thoughts and desires so I can take them into account. This is still all very up in the air, though all of these are topics which I plan on eventually writing about.

What am I doing now?

I am currently writing the whole next arc of the story, to be posted once it is finished and consistent. This means I can write without worrying about the chapters being perfect straight away, since I can always go back and revisit the first drafts later before I post the entire arc. This is the best compromise I can think of, between writing the entire story and then posting it, and posting it chapter by chapter. I am counting on the arc spanning around 50.000-80.000 words, and I predict (though I do not state with certainty, as I have learned my lesson) that it will be finished some time in the summer. I appear to have set a much faster pace for myself lately, with seven thousand words written on chapter nine in the last four days, but I don’t know for how long I can keep this up.

I am also touching up the original chapters of IFF, to make sure everything fits with the new, slightly revamped plot and lore. The necessary changes are mostly minor and cosmetic. For example, some early mentions of too advanced technology need to be culled, and more mentions of the world’s current tech level should be inserted here and there. If possible, there are a few larger things I would like to change, such as the whole beginning scene of the first chapter, but writing more on the new arc takes priority. These changes will go into the story as soon as they’re done, before the next arc is finished.

Commitments for the future

I plan on updating this blog twice a month with progress reports, every second sunday – however brief they must be. Any other content shall not be on a schedule, though I hope I will be posting more often than that.

If you’ve any requests or suggestions for different kinds of content you’d like to see, pages that should exist, or lore topics that are not on the list above that you’d want me to expound upon, then please comment to let me know. If you want to be updated whenever something new happens, remember to subscribe.

That’s it for now!